L2: Empuraan is a Malayalam political action thriller and the second film in the Lucifer franchise, directed by Prithviraj Sukumaran and written by Murali Gopy. The film continues the story of Mohanlal’s character Stephen Nedumpally / Khureshi Abraam, expanding the political and criminal universe introduced in Lucifer. I worked on the project as an Assistant Director, collaborating closely with the directing team on shot planning, coordinating between departments, and helping to execute the film’s large-scale sequences on set.
ESPN – PICKLEBALL SLAM WITH JOHN MCENROE
1st Assistant Camera
ESPN’s Pickleball Slam with John McEnroe is a high‑intensity, multi‑camera sports broadcast that showcases pro‑style pickleball in a live arena environment. As the 1st Assistant Camera, I was responsible for pulling and maintaining sharp focus on fast‑moving players, coordinating lens and camera changes, and ensuring each shot remained clean and stable under constant movement. I worked closely with the camera operator and director to react quickly to gameplay, transitions, and live call outs. This role demanded technical precision, speed, and strong communication on a tightly timed broadcast.
PHONE DATE | COCA-COLA REFRESHING FILMS
1st Assistant Camera
Phone Date | Coca‑Cola Refreshing Films is a playful short about modern dating, miscommunication, and the small moments that bring people together over a shared Coke. The film combines intimate close‑ups with energetic moves to keep the story feeling fresh and cinematic. As 1st Assistant Camera, I was responsible for building and maintaining the camera package, pulling precise focus on moving subjects, and coordinating lens changes and marks so the cinematographer could move quickly while preserving a polished, branded look.
THE PROSPECT
Cinematographer
The Prospect is a narrative short that leans on mood, composition, and performance to tell its story, rather than heavy dialogue or spectacle. I approached the cinematography with a grounded, cinematic style, using light, color, and contrast to separate emotional beats and guide the viewer’s attention. As the cinematographer, I led all visual decisions on set, including camera placement, lensing, lighting design, and movement, collaborating closely with the director to translate the story into a cohesive visual plan. My focus was on creating images that feel both intimate and cinematic, while still being practical within an indie production schedule.
The Soulmate
Cinematographer
The Soulmate is a narrative short that explores love, loss, and the quiet moments in between. As the cinematographer, I crafted a visual style that leans on naturalistic lighting and intimate framing to keep the audience close to the characters’ emotional journey.
bejinphilipbenny 