Hire me

bejin philipbenny

Your vision deserves more than content — it deserves a cinematic experience. Let’s bring it to life on screen.

A polished black cinema camera with a compact zoom lens mounted on a sturdy carbon-fiber tripod stands on the edge of a rooftop at dusk, overlooking a softly blurred city skyline of lights and silhouetted buildings. The camera’s small status screen glows faintly, reflecting off matte metal buttons and textured rubber grips. Golden hour fades into deep blue, with the last streaks of sunset casting a subtle rim light along the camera’s edges. Shot from a low, slightly angled perspective to feel cinematic and aspirational, with photographic realism and a clean, professional mood that reflects ambitious filmmaking and urban storytelling.
An open hard-shell camera case with custom-cut foam cradling neatly arranged filmmaking tools: a compact cinema camera, two prime lenses with pristine glass, a slate clapperboard with blank white fields, and neatly coiled audio cables. The case rests on a smooth concrete studio floor with faint paint markings and gaffer tape lines. Overhead softbox lighting casts even, neutral illumination, creating gentle shadows within the foam cutouts and subtle highlights along metal and glass surfaces. Photographic realism, top-down composition with sharp focus throughout, conveying organization, reliability, and behind-the-scenes professionalism for a videographer’s gear showcase image.
A minimalist editing suite featuring a wide, ultra-thin monitor displaying a color grading interface with vivid teal and orange tones, waveform scopes, and a paused frame of an abstract, non-human landscape. Below, a compact control surface with glowing color wheels sits on a matte black desk, beside a silent, low-profile keyboard. The room is dim except for the cool, diffused light from the screen and a faint warm backlight washing the textured wall behind the monitor. Photographic realism, slightly off-center composition with shallow depth of field, creating a focused, cinematic atmosphere that highlights the precision of post-production work.
A sleek motorized camera slider on a matte black tabletop, carrying a small mirrorless camera pointed toward a row of abstract objects: stacked geometric shapes, reflective spheres, and textured fabrics arranged to suggest a product shoot. Soft studio lighting from both sides creates controlled highlights and smooth gradients of shadow, emphasizing movement and precision. The background falls into gentle bokeh with hints of light stands and diffusers, never fully defined. Photographic realism, side-on angle at table height, conveying smooth motion, technical mastery, and a professional commercial-filmmaking aesthetic for a portfolio section about product videography.

About the Artist

Bejin Philip Benny is a filmmaker specializing in storytelling through documentary and narrative projects, collaborating with teams to capture authentic moments and striking visuals.

View Work

Services

A compact field audio recording setup laid out neatly on a rustic wooden table: a professional audio recorder with clear, legible meters glowing green, a shotgun microphone with a furry windscreen, coiled XLR cables secured with Velcro ties, and a closed slate clapperboard with crisp black-and-white stripes. Soft overcast daylight from a nearby window produces diffused, shadowless illumination that reveals the grain of the wood and the textures of foam, metal, and plastic. Photographic realism, three-quarter overhead angle with moderate depth of field, evoking calm preparation, attention to detail, and high-quality sound design in filmmaking.

Cinematography, lighting, and post-production services tuned to your story, budget, and schedule, delivering polished visuals and a clear narrative arc.

A storyboard sequence spread across a clean, light-gray desk surface, featuring a grid of blank rectangular frames on crisp white paper, some carefully filled with simple, non-human geometric scene sketches and arrows indicating camera movements. A mechanical pencil rests diagonally across one sheet, while colored sticky notes mark key moments. Gentle afternoon window light falls from the left, creating soft shadows from the paper edges and a quiet, focused atmosphere. Photographic realism, slightly elevated angle, using the rule of thirds to keep the storyboard as the central focus, representing conceptual planning and visual storytelling in a filmmaker’s process.

Directing, color grading, and sound design synchronized with scheduling to ensure creative integrity, throughout production from preproduction.


Reviews


Aya Nakamura

Watching the final cut, I felt seen and inspired by the storyteller’s voice, truly today.


Mateo García

The team brought creativity and calm under pressure, turning ideas into powerful visuals.


Visit us

123 Pine Street, Studio District, Hometown, CA 90210, USA, please use main gate for deliveries.


Hours

Mon-Sat: 9am–6pm; Sun: closed. Available for shoots by appointment outside these hours. Please email to request a time.


Phone

(555) 012-7890